Quotes about Story

If you look only as Genesis as an allegory, you have a major problem, because if it's an allegory, then tell me who our ancestor was? If Abraham was real, then from Abraham if Adam isn't real, if it's just an allegory, it's just a story, then what's the real Adam who really fell in a garden and really sinned? Where did we come from?

My story is important not because it is mine, God knows, but because if I tell it anything like right, the chances are you will recognize that in many ways it is also yours… it is precisely through these stories in all their particularity, as I have long believed and often said, that God makes himself known to each of us more powerfully and personally. If this is true, it means that to lose track of our stories is to be profoundly impoverished not only humanly but also spiritually.

The raw material of a myth, like the raw material of a dream, may be something that actually happened once. But myths, like dreams, do not tell us much about that kind of actuality. The creation of man, Adam and Eve, the Tower of Babel, Oedipus—they do not tell us primarily about events. They tell us about ourselves. In popular usage, a myth has come to mean a story that is not true. Historically speaking that may well be so. Humanly speaking, a myth is a story that is always true.

The skin of Christ is the parchment, His blood the ink, the nails the pen. There we see written the story of our life.

You have to think of your brand as a kind of myth. A myth is a compelling story that is archetypal, if you know the teachings of Carl Jung. It has to have emotional content and all the themes of a great story: mystery, magic, adventure, intrigue, conflicts, contradiction, paradox.

Obviously, you're trying to peel through 20 centuries of theology, speculations, church doctrine and storytelling. I'm trying to get back to the absolute basic story of who was Jesus, what did he say, what was he teaching, and what did he do.

Now maybe I wouldn't do it, but I was a child then, said Oryx more softly. Why are you so angry? I don't buy it, said Jimmy. Where was her rage, how far down was it buried, what did he have to do to dig it up? You don't buy what? Your whole fucking story. All this sweetness and acceptance and crap. If you don't want to buy that, Jimmy, said Oryx, looking at him tenderly, what is it that you would like to buy instead? (167)

It's somewhat daunting to reflect that Hell is -- possibly -- the place where you are stuck in your own personal narrative for ever, and Heaven is -- possibly -- the place where you can ditch it, and take up wisdom instead.

Debt . . . . that peculiar nexus where money, narrative or story, and religious belief intersect, often with explosive force.

I remember a television program I once saw; a rerun, made years before. I must have been seven or eight, too young to understand it. It was the sort of thing my mother liked to watch: historical, educational. She tried to explain it to me afterwards, to tell me that the things in it had really happened, but to me it was only a story. I thought someone had made it up. I suppose all children think that, about any history before their own. If it's only a story, it becomes less frightening.

The Human Words of God speak of the Creation in terms that could be understood by the men of old. There is no talk of galaxies or genes, for such terms would have confused them greatly! But must we therefore take as scientific fact the story that the world was created in six days, thus making a nonsense of observable data?

A scar is like writing on your body. It tells about something that once happened to you, such as a cut on your skin where blood came out. What