Quotes from James Carse

Since the attempt to control nature is at its heart the attempt to control other persons, we can expect societies to be less patient with those cultures which express some degree of indifference to societal goals and values. It is this repeated parallel that brings us to see that the society that creates natural waste creates human waste.

What can be explained can also be predicted, if one knows the initial events and the laws covering their succession.

Waste persons are those no longer useful as resources to a society for whatever reason, and have become apatrides, or noncitizens. Waste persons must be placed out of view-in ghettos, slums, reservations, camps, retirement villages, mass graves, remote territories, strategic hamlets-all places of desolation, and uninhabitable. We live in a century whose Master Players have created many millions of such "superfluous persons" (Rubenstein).

What the winner of a finite game wins is a title. A title is the acknowledgment of others that one has been the winner of a particular game. I cannot entitle myself. Titles are theatrical, requiring an audience to bestow and respect them.

Infinite speakers are Plato's poietai taking their place in the historical. Storytellers enter the historical not when their speaking is full of anecdotes about actual persons, or when they appear as characters in their own tales, but when in their speaking we begin to see the narrative character of our lives. The stories they tell touch us. What we thought was an accidental sequence of experiences suddenly takes the dramatic shape of unresolved narrative.

If the silence of nature is the possibility of language, language is the possibility of history.

We stand before genius in silence. We cannot speak it, we can only speak as it. Yet, though I speak as genius, I cannot speak for genius. I cannot give nature a voice in my script. I can not give others a voice in my script-without denying their own source, their originality. To do so is to cease responding to the other, to cease being responsible. No one and nothing belong in my script.

Any attempt to vary from the past in such a way as to cut the past off, causing it to be forgotten, has little cultural importance.

The silence to which the losers pledge themselves is the silence of obedience. Losers have nothing to say; nor have they an audience who would listen. The vanquished are effectively of one with the victors, and of one mind; they are completely incapable of opposition, and therefore without any otherness whatsoever.

The paradox in our relation to nature is that the more deeply a culture respects the indifference of nature, the more creatively it will call upon its own spontaneity in response. The more clearly we remind ourselves that we can have no unnatural influence on nature, the more our culture will embody a freedom to embrace surprise and unpredictability.

We look on childhood and youth as those "times of life" rich with possibility only because there still seem to remain so many paths open to a successful outcome. Each year that passes, however, increases the competitive value of making strategically correct decisions. The errors of childhood can be more easily amended than those of adulthood.

Religion ceases to be religion when its poetic authority is recast as civic authority.